this is a record that lives up to its name with spacious and cinematic arrangements, layers of subtle percussion, and at times an impenetrable wall of found sound.

open the curtain for the next trick from the highgrade disharmonic orchestra: for the last year the team have been busy refuting the notion that the dj is a one-man-band in the booth… tom clark, todd bodine, philip bader, dale and daniel dreier are an act that combines all their many and varied qualities into one pot, stirring vigorously and serving up a hearty dish that goes straight to the hips! they have proven many times with their live performance that the musical ingredients are just right – and have also put the evidence on the record with an original ep. now comes the follow up. the first track way too far, is a live recording which evokes an atmosphere of urban beats and pulsating flashes just behind the eyes and a dancing crowd who appear to sink deep into the dance floor. then theres a complete chance of scene for the second track the other night, that appears to hijack the veranda of a villa in the american south. crisp rhythms are backed by muffled thumping beats, a trumpet laments, a sexy sleep-talking emerges in gentle piano sounds. this is southern passion under the disco ball, cleverly approximated by the highgrade disharmonic orchestra

the moment the needle drops on bas mooys >krull<, you know you are up for something special: one of those classic tracks that signpost a style, a timeless number that seizes the flavour of the here and now and elevates it somewhere ethereally higher - in this case booty-swinging, infectiously swinging, grinding, building, unhomogenized techno.
in his remix audio injection minimalizes the assault and its reinvented as a soaring detroit acid grumbler. then gayle san & dj hi-shock propel themselves right into the darker depths of the original version and reboot all the right parts to make it a flanged, spacey, at times relentless sci-fi tech stomper.finally ortin cam reconfigures >krull< as slick, motorized electronic dancefloor mayhem remiscent of some of the sativae outings in the early 90s by neil landstrumm and tobias schmidt.limited first press released on solid white colored vinyl.
already played & supported by luke slater, drumcell, sven wittekind, chris liebing, tommy four seven, dave the drummer, space djz, spiros kaloumenos, sasha carassi, axel karakasis, tom hades, audio injection, go hiyama.

yam who?s ism label come through with a four track slice of disco centric futurism, featuring the man yam himself alongside pbr streetgang and ron basejam. its the latter who takes the lead with a remix of alenas >changes< that sees her sultry vocal teased by a most excellent of analogue synth leads that splurges brilliantly across the crisp mid tempo chug. yam who? teams up with vocalist natasha watts for the similarly bottom heavy bump of >i m in love< which has a certain warehouse appeal to it. on the flip, pbr pay respect to the godfather of soul james brown with the gritty flex of >j2thab< with the sadly departed mr brown strangely sounding at times like he wants to go to tesco. we always took him for a waitrose man, but regardless this is probably the track you will reach for most! finally brothers young do their thing to a trammps classic, with little more than the bassline retained.

kompakt has always been partial to belgium as they have been tremendously loving to us ... leading the charge of support have been our friends mugwump – the dynamite duo that comprises of geoffoy and the star of our show today – kolombo. we have had a great strain of releases with them over recent times and many will remember kolombo from a number of big tunes for turbo, vice versa and boxer recordings. kolombo pays tribute to the spirit of slo-mo belgian new beat with >waiting for<. a 105 bpm driven concoction of classic house, balearic disco lead by the voice of 80s pop maestro howard jones of his memorable hit >everlasting love< means yes, we have a winner!

yambee! is the first collaboration between dancefloor giants ashley beedle and yam who?. chemical love is an epic sampledelic jazz dancer with detroit overtones (think theo parrish or moodymann) thats sure to mash up any dance. natural off is a lysergic disco monster which gives a nod to the hard times we are living in. this will be the first of a series of yambee! 12inch platters that will be coming out on ashleys out hear audio imprint.

after taking a break for more than 6 months bukaddor & fishbeck return with 2 quality tracks. >camino< unites tight and loose aspects in an exciting modern way of club music. the track works on more than one level and incorporates silly little ghosts of sounds and massive basslines and last but not least: a lot of profound sound shaping. >physx< on the b-side is much more warped, moves in way of a snake, does is surreal dreamlike and still makes these brave cuts that throw you back into life. at times this track seems to be quite dadaistic and maybe this accounts for the most experimentell track they have ever released... but it would not bukaddor & fishbeack if this track did not have a atchy clubby side to it.

after releasing some highly acclaimed records on delsin tel aviv-based yoav b. releases three new tracks on the belgian meakusma label. gently rubbing shoulders with detroit techno (the way anthony shakir produces it) and hiphop, built on crazy loops and raw rhythms, the tracks are enhanced with psychedelic and playful sounds, that give them the feeling of being in continuous flux and movement. the mood here is absorbing yet ambivalent. on top of this, protect-u, from the fantastic future times camp, delivers a remix, pulling the music away from reality, firmly aiming it for the universe. with a mid-tempo house feeling, a crispy bassline and abstract synthesizer pattern, they take the listener beyond the infinite.

this album builds more than just one bridge between the best worlds of frivolousness and dependability – horizontally, vertically, all the directions in between, and in time. no matter what the current when you cross, the beginning and the end dissolve into an everlasting flow in true 25 character. the journey is fueled by its own limitlessness, all the while delivering crucial reference points for a purposeful riptide ride.
the experienced hedonist lets herself be driven through her beloved quarter-note spheres, relishing the moments when, in certain beats, twinkling details lead her towards a different route – one familiar but long forgotten. she strings this pearl on her chain of rhythm-driven moods, calling upon it at the right times to amplify her individual push. the allure of the impacts unfolding redeems each secret whispered by the spirit of the sound.

a new 3-track 12 by canadas solvent, known for his melodic electro and vocoder pop releases on ghostly, morr music, and his own suction records. for minimalrome, solvent debuts a new approach, so please dont expect any sweet solvent melodies this time, in fact, dont expect any melodies at all. here solvent delivers 3 tracks of pure bunker/rephlex-style acid, monotonous and pounding. fasten is the most straight-up acid track present, nothing but 707/606 percussion + x0xb0x squelch. latch and secure are more dark, abstract, dirty. secure is epic madness, clocking in at over 16 minutes, at times slow and prodding, elsewhere growling furiously in sheets of distortion. every track has been edited down from hour+ long hardware studio jams, with the computer acting strictly as a multi-track audio recorder. solvents customized acid box, a heavily modified x0xb0x, features heavily on every track, alongside classic techno boxes like the 808, 101, and pro one. limited to 250 copie

for the inaugural release on the newly formed lo:rise imprint, jedi knight tom middleton brings us a tribal, percussive workout that centres around the infectiously groovy clicks and whistles of its onomatopoeic title. the original should be enough to make any djs mouth water, and with an eerily deep and stylishly bouncy remix coming in from girl of the moment maya jane coles, the package in its entirety is almost frighteningly good. frequent reports have been flying in of this destroying dancefloors from cable to fabric and beyond. both the original and maya mixes have been charted numerous times and full support has come from dyed soundorom, guti, d julz, tony humphries, nick holder, roska and alex cellar to name a small few!

the three tracks for this release go through a wide range of our sound. >cyclone< by samuel dan and feygin is a throwback to the way dirtybird records sounded back in 2006, raw and fun with big drums. but >cyclone< sounds amazing compared to the sound quality of some of those old records we all love, a definite update to the old db vibe. b-jus >babbel net< is his follow-up appearance to last years bomb track >my sneakers< that all of us played 1000 times. this is more in the smooth 808 style of dirtybird while still giving you some punch and melody. this record works really well for me and this groove crossover into a house set no problem. last but not least is maelstroms >you play<. this is a real monster, not so much for the house heads but instead for those of you who like to cross genres and explore the bass regions during your sets. definitely not your friendly deep house record this one is a real db banger in the tradition of big dirty bass we love here in san francisco.

atas volume of the >life at robert johnson< mix-cd series wouldnt be complete with out a 12-inch. here you get two of the most extraordinary songs and mysterious corkers of his outstanding compilation. ramonaäs main man picked grauzone with >raum< and zwischenfalls >flucht< for this special plate. as this wouldnt be a treat in itself already, ata extended the pop arrangement of >raum< into an almost 8 minute long powerful ballroom blitz edit for all you new wavers and old romantics. always remember: the future was already yesterday, but the good times are always now

with ifumes first ever release >polaroid love< ep still fresh on our decks and receiving many props from around the globe, master-hs exotic komplex de deep imprint, for their next release, turn to a far more established artist in the form of label regular, francois dubois. whilst his techno alias funk d void has taken the lions share of the plaudits for many years, lars sandbergs other alter ego has, in recent times, shone just as brightly. whilst the tough beats of fdv are firmly routed in his scottish homeland, its no doubt the warmer climate of his spanish residence that enthuses and drives the deeper and smoother sounds of francois dubois. releases and remixes from the francophile have graced such labels as urban torque, plastic city, freerange and buzzin fly.
early dj supports and feedbacks by laurent garnier, djul’,z, ben westbeech, motorcitysoul, feygin, brother’,s vibe, sasse, andy cato…, ...

with its first 4 singles the spanish label apersonal music made its way rapidly into the highlights of the modern nudisco scene. on its 5th effort they release their first all original tracks ep betting hard on the dynamic and innovative melodies of volta cab, a young producer from the russian city of ulyanovsk. volta cabs music pieces have been gaining attention in the underground music scene through out the internet for some time now, a sound strongly influenced by the 80s sound and pop-culture which will finally hit the stores shelves this year. for apersonal s 5th volta cab delivers 4 original & unique tracks which gives form to this very musical and personal ep. standing out is the main single of the ep >why you come back here< on which volta cabs original vocals play along with catchy elements of disco and soul wich he masters with his unique style. feels like starsky & hutch on acid. >volta cab comes from mother russia and brings us into the neon future. into the times when the war is over and everyone in the universe loves one another in the interstellar dance to synth pop music.<

the process of receiving and listening to demos is akin to the proverbial needle in a haystack - poorly labeled cd’s or mp3’s are handed out indiscriminately like flyers for strip clubs in times square (circa 1970). “i really think you are going to like this,” or “all nude girls,” and “dj ‘x’ played this at space,” or “24 hours live sex show…!!” but in the end, just like the harsh reality of a stripper in daylight, the demos fall well short of anything mildly interesting and certainly nothing you would bring home to mom… until madato… from the first group of tracks he sent it was clear that a nice guy from naples had sent us the needle we had been looking for. “naples may not be a place one would consider to be particularly inspiring, from its outside appearance, chaos, and plenty of junk on the streets - it takes a deeper gaze, beyond, and into madato’s dream world. madato is always looking at what’s beyond the waste. inside his dream box you might find laura palmer making out with ian curtis, charles bukowski writing a fairy tale, or perhaps john nash singing along to bauhaus songs…” file under: trippy disco inspired dance music, not defined by a genre but more of an attitude. post-punk undertones mixed with psychedelic sensibility

hudd traxx are back with a awesome ep of sublime deepness from the one and only agnès

look out guys! the exaltics are back… and they are taking over the planet! short, sharp, electro styles in the form of >irresistible< and >calculate< devised to strike the target head-on, while the brooding, soulful, even graceful, techno gloom of >relentless< warns of impending doom… dark times… dark vibes.
limited edition includes matte poster print.

another modern classic from be as one is generating consensus from two of the main producers of recent times. after his latest releases on r&s and objektivity and his acclaimed artist album on ovum, shlomi aber returns on be as one with an original work after a long absence on his own label, since the times of the magnificent groundbreaking >sketches< alongsie detroit piooneer kenny larkin. now he does it again with a bang, involving in the project the legendary house stalwart dj sneak, whose been quite busy in the latest years unceedingly preaching the house gospel. abers original version of after touch bares the man own techno trademark, heavy dark funk bass and snares, all looped up with a consinstent drive and shaky groove. dj sneak does his thing on the b side, stomping his trademark sound all along the 10 minutes of the track, bringing the perfect balance to this release with a hoursier version of chunky, raw and old school groove.

one of the highlights from the recent nightstarter 8 compilation – on my mind gets a remix treatment from the hottest trio of club cowboys right now. roberto rodriguez digs out his 909 out of the closet and works out a mid 90s inspired slammer, not far away from the golden times of strictly rhythm. added sample vox and the shuffled drums drives this up to the max before dropping some serious organ madness into the game. sure fire floor burner. for the vocal shy, we have included the dub as well. mano le tough brings us some of his trademark balearic deep techno which we just love to play! damn fine arrangement coupled with soothing melodies and a churner of a bassline makes this one of his finest remixes – we are happy to welcome mano on moodmusic for his first, but definitely not last guest appearance.

after the loud aproval of their first vinyl >green vision<, released on the german label night drive music, the aquarell project (headed by marco sarto and andrea paganin) finally land at sabotage recordings. the title track , >creep<, is a forecasting dancefloor oriented hit, conceived to last through times: its a groovy explosion of house percussions, warm low frequencies, sensual voices and relentless rhythms. >you are gold< is an impressing hypnotic tune with a technological taste, exalted by percussive elements. on side b, alex piccini remixes >you are gold<, while re-up reworks >creep<: both cuts are powerful but elegant apt for every kind of dj

in a london garage, long time collaborators and childhood friends tom hanley (vox/sounds) and max whatley (drums), collude to create electronic duo drugg, who are set to release their debut ep >shackled< in january 2011, through independent label less music. the esoteric imprint from the trio of this is music, more music & less music, less musics debut release came by way of dubstep innovator shackleton, with his >wizards in dub

the 13th release from the booty breaks camp is for sure a lucky number, as defkline and red polo break it up 4 times!

repressed - white label - red vinyl - d5, the artist formely known as dimension 5, returns to the label where he started. three times deeply smooth funk techno tracks. his last track >floatation tank< on the >planet delsin< compilation, was favorite along a broad range of deejays, and licensed to josh winks mix compilation. this neutrino ep brings us three times deep funky warm minimal/techno. sounds along the lines of luciano and aril brikha, groovy late night techno. very deep

pop ambient returns. kompakts beloved series. this is our other arena of bliss, always curated and carefully compiled by label co-owner wolfgang voigt (aka gas). somber times call for more introspective sound scapes - >pop ambient 2011< continues its mission to slowly persuade its signature sound introduced over a decade ago. this year we see the series leaning towards a slightly darker complexion than its predecessors.

und wieder einmal macht rajko müller seinem namen als visionärer ausnahmeproduzent alle ehre. auf >well spent youth< setzt isolée erneut maßstäbe und liefert uns ein atemberaubendes album zwischen house, techno und pop ab. niemand klingt wie isolée. nicht mal entfernt. der name ist programm. in den letzten 15 jahren hat isolée es geschafft seinen eigenen trademark mit seinem atemberaubenden klangdesign zu kreieren. jeder ton scheint liebevoll aus den untiefen seines anlogen geräteparks gemeißelt und abgeschliffen worden zu sein, bevor er ihn in ein außerirdisches abstraktes, stetig morphendes und dennoch verbindliches und bouncendes klanggemälde savantischen ausmaßes einwebt. 1998 gelang isolée mit beau mot plage (playhouse) ein zeitloser geniestreich, der weltweit und genreübergreifende verzauberte und die grenzen der elektronischen tanzmusik neu auslotete. es folgten 2 hochdekorierte alben >rest< & >we are monster< auf dem frankfurter label playhouse und zahlreiche remixe für z.b recloose, blaze, franz ferdinand, roy davis jr , tiga, alter ego oder international pony. isolée erinnert auf einzigartige weise wieder einmal, wozu elektronische musik fähig sein kann und ist bereits jetzt schon ein heisser anwärter auf eines der alben in 2011!

hailing from ireland, wicklow and dublin to be precise, solar bears are john kowalski and rian trench, the sole producers and musicians on the album >she was coloured in<. they met and formed at pulse sound engineering school, started recording and were swiftly picked up by planet mu. the album follows in the wake of expectation laid down by their recent >inner sunshine ep< and a series of remixes.

nice price deal !!!

its the now generation take over. floating points, space dimension controller, kyle hall, joy orbinson and... ka§par. take note and follow them!<br / its a fact that groovement has rightfully captured the attention of a few of todays most relevant djs over the course of 2010, and this new installment is another must have... ka§par has stood out as one of portugals most charismatic and cherished underground artists, and his work in recent times featured another release on groovement (>music life<). now he returns with yet another floor shaker all his own: >whatchadoo<.

hear ye, hear ye, hear ye. citizens of electronica we have come down from the holy mountain to bring you the new formatik! once again with an a-side smasher psalm by the chief preachers format b. catalogue number formatik 005 shall purvey the word of the all mighty upon the dance floors. a holy place where the opening times often coincide with the sunday mass, unfortunately time is sacred so that when hearing the >gospel< there shall be little time to close your hands and pray as the nuns will already be body groovin in the aisles. with the once cold and dank air of the church at boiling point and its radiant smell having already attracted new guests, in this case super flu with their antichrist remix adding some soul to the hooklines. we say hallelujah, hallelujah!

after numerous releases on labels like firm, crosstown rebels and trapez and 15 years of djing all over the world andré kraml debuts on 200 records. mercado de mexico is a trip to the latin american country. >mañana en el mercado en condesa< is a track with field recordings from a mexican market, which is spreading more and more to the absolutely unique andré kraml sound. >el cuclillo y el burro< is a sound journey par excellence from techno to a futuristic disco final. following the mexico concept of this ep, guadalajaras marco balcazar contributes a perfect club remix. >mercado de mexico< contains everything we await from techno these times: fresh and deep sounds, new ideas and tracks, which are eternal.

safety copy is a project designed to keep good oldschoolish underground music alive. sc_10 is a limited edition clear vinyl, that has been pressed only 333 times. all records are handstamped and handnumbered.

to the next, next next next. who?s got next? you got next. we got next. elevating higher! originating from the streets of brooklyn to outer space. blackfoot u-ahk takes us on a poetic rollercoaster ride. free styling his way to an outer body experience. only meeting a few times prior. jon cutler carries a pocket drive of tracks. runs into blackfoot at a mutual friends house. loads the cut and sets the mike up. records the vocals and heads home to his own studio to finish the original version. taken from the forth-coming album. a step back. on the remix duties, up and coming dj / producer victor casimir (boom tune) keeps it true nyc style. while marlon d (underground collective) bangs those drums!!! doc link (liberate) from chicago rounds of the package with some raw drums and neo-soul.

langenberg strikes back with a three track heavy hitter, following up to last years >times< (mild002)! >planitz proposals< showcases the label co-founders fine sense for hypnotically floating house layouts that merge club functionality with atmosphere and soul. be it the steadily building deep excursion on the eps title track, the rolling epic shuffle of >tribute< or the rhodes-driven subtle funkiness on >dog days<, you really cant go wrong on a langenberg ep, can you? supported by: steve bug, brendon moeller, andre lodemann. blakkat, iron curtis, sven tasnadi, jacob korn, iori, tim toh, sevensol, edward...

rush hour presents a new series of releases entitled >voyage direct<. tom trago, one of the most prominent producers on rush hour records, who has produced several releases for this label since 2006, curates this series. in 2009 he presented his first voyage direct output and in 2010 he started selecting tracks for >voyage direct<, which presents a collection of his favorite producers & tracks. the saga of >voyage direct< continues. the third release is a very classy one. house of jezebel aka legowelt takes us back to the warehouse days with his epic version of soul classic >love & happiness<. granted, this sample has been used a few times before, but this is simply one of the strongest versions ever to appear. comes as vocal and instrumental version

darker and more sinister as all his releases before. beats getting tighter and rougher, theres no chance to escape. welcome to the world of delta funktionen. this 2nd part of his setup eps brings three times dark heavy soaking techno tracks, and with the otherworldy track >conflict data< closing the setup

imitori is back flom tokyo with another le-edits ep. our favorite old school pioneer leturns with a quartet of dance crashics re-edited for maximum dancefror action. tlied, tested (and found tlue) to lock many an international crub, they have been receibing the gleat feedback on the soundcroud. we are ploud now to rerease them by the popurar demand. for dancing times make it dimitori time

again a new fresh talents lands on be as one. italys sehou is indeed a well promising artist and the israeli imprint surely has a careful ear when it come to signing its artists. >to who love< is as simple as it is beautiful, a true house masterpiece with a classic touch, to stand the test of times. >dark side of the sun< turns things darker and deeper, phat bass, phat grooves, sure effect. to complete the package gel abril strikes back again on be as one after bein gmissed for long on the imprint. keeping things basic but effective, the israeli brings funk to the floor in his own unmistakable style

superb new ep by one of düsseldorfs finest – john gazoo! get ready for some salsoul fuelled disco drama on >what happened< and enter the time warp to take a trip back to the days when manhattans time square wasnt transformed to disney world yet.

its been a while for mr lovebirds and also the label teardrop to serve some fresh slices of homemade house jam. well, we think it better not to put out every bonus beat we program and rather wait until we have something that really deserves to be thrown in todays pool of musical randomness. do we sound bitter again? sorry, for that … must be the age. so … love & happiness. yeah, i want that and probably everybody does … well here ya go: its a slick slow house bomb with proper oldskool 909 drums and some sliding portamento chords that wont never leave your head!! at least until the breakdown when this track takes you even further back in time to that beautiful intro that has rarely been used more beautifully. its been tested for months now by vincenzo, phonique and mr bird himself and devestated every floor so far. let me put it this way - this is biiiig!!!! flipside is the rain - classic 90ies deephouse with a touch of kerri which we all love right? this has the typical lovebirds warmth that we all need in these modern techno times. and in this autumn too. none other than mr steve bug took care of the remix and delivered a superb very 90ies new yorican style version. keeping the warmth he added some percussion to it and turned this into a nice builder. enough talk … we are very excited about this release and looking forward to your full love on this one. play it loud and everywhere!! and maybe even chart it if youre a good lad!!

following the intricate alleys down in the shattered underworld, molar module and emad parandian rejoin under harsh neon light to share haknams third vinyl.
>kifarasi< on the a-side by molar module offers absorbing percussion underlined with ambient echospaces, industrial patterns and a propulsive bass.
the b-side >arezou< by emad parandian combines dulled nautical atmospheres, crackly analogue percussions in deep symbiosis with energetic solid drums that densify space. mysterious vocals seem like a relict of ancient times.
truly a hearty third release that etches elaborate details into the outline of haknam.

glaswegian producer, label owner and globe trotting dj graeme clark, aka the revenge, takes on holy ghost!s >say my name< – a song from the duos ep static on the wire that, in its original incarnation, is a lovely, smooth slice of electronic pop. the revenge re-models the single three times over, into a trio of distinct remixes all bearing his unmistakable signature. first up on the vinyl 12inch is the revenge remix, which starts out like a hollowed-out, hall-of-echoes version of its predecessor and then grows – bit by bit and synth by syth – into a gorgeous swirl. on the revenge instrumental, clark ups the disco ante, removing the vocal melody and replacing it with elements equally as compelling: a classic beat, synthesized strings, double handclaps, and an essential electric bassline

8th release on dj stays main label! another big various artists pack for all funky techno djs on the planet. raul mezolanza, dj stay, dj pepo and sergy casttle!

the new release from wigflex is a showcase for hizatron, one of most exciting and forward-thinking producers in spam chop s nottingham crew and, like a rave-up in a haunted house, it s dark, loud and batshit insane. executive ball scratcher is jinky and elegant until it explodes into a million glittering pieces of shimmering alien melody-box noise. at all times the insistent, pulsing beats and the thick bass stabs keep the track firmly rooted on the dancefloor, whilst its eyes and fingers lift to the stars. on >klonndyke final<, layers of battling, aggressive, organic percussion pave the way for a dirty, banging bassline and morphing, insane synth lines. constantly building, on the move and entirely unpredictable. a synth line evoking classic techno of the past is messed with on >telescope dope<, like a child melting a slug with his magnifying glass until all that remains is a scattered and horrific sludge. pummeling beats bring it together, creating a hypnotic and terrifying finale. with this release hizatron stakes a claim as one of the brightest young things in the uk electronic dance scene. with its shifting, exploratory layers of melody, thick bass and complex beats, the ep further blurs the lines between house, techno and dubstep, combining moments of iridescent beauty with raw, guttural power. a record for headphone enthusiasts and dancefloor paragons alike. watch out.

short about the label: a joint effort between prins thomas and word and sound- the idea behind the label is to put out good music and not limiting ourselves to stick with a specific genre, instead opting to stay fresh and individual with each release going in every direction we feel. were gonna be highlighting new talent, re-releasing some lesser known nuggets and certainly give you some dancefloor killers along the way to. from japanese techno to california kraut, just the way we like it. fernando pulichino should be a familiar name to you, either as part of 2020 soundsystem or maybe his recent cover version of bauhaus >kick in the eye< on redux? anyway, we cherry picked 2 of his tracks, one for the peaktime and one for the good times.

first release by new label apersonal music. project created by andres vegas and maurice aymard, who challenge the current music business crisis by joining the list of adventurers who releases on vinyl during times of retreat. the label is intended to publish music that points back toward the classic sounds of electronic music, the eternal sound. for the ever loved and well remembered 001 they sign producer trujillo. a pioneer of the electronic music scene on his country venezuela, also native land of the label heads. the single runs at 110bpm with a retrospective feeling, built by melodic synths, low bass and provocative voices. “baby you’re still the same” a slow burner that takes you on a journey of inspiration

hers is the most anticipated debut album of 2010 and her name is on everybodys lips. seldom before has a young artist so captivated the attention of a generation that she personifies. >the ultimate it girl<, >the new electro pop sensation<, >totally in tune with the spirit of the times<: these are just a few quotes from her reviewers. the delayed >sex dreams and denim jeans< is finally complete. uffie took her time, for after years of continuous whirlwind she needed to take a step back, put her bags down and concentrate on her writing.